How to Shoot Kitchen Photos

It’s not simple to take beautiful photos of kitchens, particularly if you want to highlight the best parts of the space, pick a focal point, and use the right lighting equipment. The kitchen is one of the most difficult rooms to photograph. The following post provides you with some helpful pointers showing you how to shoot the best kitchen photos.

You might erroneously believe that kitchen photography is not associated with staging. Actually, you should stage the area to produce a welcoming ambiance and make viewers feel as if they were at home. You may place a fruit bowl on the table or a cutting board with sliced bread on the table.

Try out some interior photography ideas, add fresh flowers to make the room brighter and more colorful, include unique thematic props, etc. However, be cautious about staging. You should include several objects in the kitchen to appeal to clients, not distract them with unnecessary things.

(check out our virtual staging services here)

Before you begin creating, refresh your memory on the best way to utilize leading lines. Take a look at the vertical lines in the kitchen or bathroom photo to get a feel for how to do so. If you tilt your camera up or down, you will obtain slanted foreground/background lines that make the room look as though it is falling over.

You may correct such issues in Photoshop with the Skew tool, but it is simpler to take photos that require little alteration.

Buyers want to see a room from various perspectives, so kitchen photography should be taken from various angles. When photographing, attempt to compose a photo using the camera as straight as possible, to prevent tilting. You may want to take numerous images from various angles, but you must always remember the correct composition.

Tilting the camera up or down will cause the lines in the frame to be off-balance. Regardless of how many photos you take or from what angles you take them, you must take a straight horizontal picture that covers the entire room so that viewers can see the entire picture and make a better assessment of the room.

Cleanliness is crucial in real estate photography, as well as kitchen photography. In order to minimize clutter in photographs, it is important to notify the owners or occupants of the property before the shoot begins that the kitchen should be prepared. It is also important to remove trashcans, brooms, brushes, and other small objects.

Make sure that all lights and lighting fixtures are working properly. At the last stage, you may polish the photograph by using RAW photo editors such as Photoshop, but it will take extra time.

Even the most experienced interior photographers rarely get it right the first time. It’s usually necessary to adjust the white balance, lighting, and shadows in a kitchen photo in order to convey the atmosphere. It may appear time-consuming and tedious, but you may delegate it to our experts. We’ve been working as a photo editing company for more than 17 years, and we know our stuff.

Our retouchers have enhanced thousands of real estate pictures, producing realistic outcomes every time. Every photograph has natural surface textures, accurate lighting settings, and clear tones.

It is usually preferable to photograph a kitchen during daylight hours. Photographs taken at night are not recommended. Try to shoot between 10 a.m. and 3 p.m. Working on a rainy day is not advised, but if you must, wait for nice weather. You will take better pictures if you have a lot of natural light.

You should draw the curtains apart and raise the window blinds to get high-quality kitchen photographs. To get the best results, combine overhead lights with natural light.

However, as many light fixtures as the kitchen may have, we believe natural light is the most productive.

Try out different lighting setups. In addition to shooting a few HDR real estate photos, shoot a couple of shots with a mixture of natural and artificial lighting. HDR real estate photos occasionally appear incredibly impressive.

When cabinet lighting is combined with lighting over the range or stove, it looks particularly amazing. I like the method when the lights are combined with the range.

Using a balloon, an optimal light shaper for rooms, is recommended. It should be positioned facing the ceiling on the left side near the camera. This gives a softer look to the picture.

Even if the kitchen has large windows, they may be too bright while the rest of the room is too dark. In order to balance out this issue, you must bracket your pictures and then blend them. This technique will create a professionally exposed photograph. You can use your camera’s Auto Exposure Bracketing (AEB) function to accomplish this.

You may also practice HDR photography in this setting without setting up additional lighting equipment. It is a budget-friendly method to get quality photos without purchasing extra artificial lighting equipment.

Photographers often use the aperture priority setting to photograph kitchens. You get full control over the aperture and the ISO when you use this setting. The shutter speed is set by the camera in this mode, providing extra control over the exposure. The best thing about this mode is that you can choose the aperture you need to take superb pictures.

You should not forget about the manual camera setting with which it’s possible to control all of the camera’s critical settings to get excellent photos.

If you know how to adjust the ISO setting, you are certain to get exceptional results in the kitchen. It is particularly critical for nocturnal photography. This is how it works. If you notice that there is not enough light, you should increase the ISO. Start at 200 and move up to 400, etc., to get the desired effect. Make sure to avoid excessively high ISO settings to prevent noise.

When shooting in the kitchen, use an aperture of F/4 or F/2.8. To broaden the aperture, pick a lower f-number. The aperture directly impacts the amount of blur in the image. For example, small f-numbers reduce the blur, while large f-numbers increase it.

Blur the background if you want viewers to focus on a specific item, such as a tea set or a cooking device on the countertop.

It’s crucial to keep in mind that you should not shoot with a shutter speed lower than 1/50 second. Usually, the photographer adjusts the aperture and ISO first, and then sets the shutter speed based on the exposure.

Wide-angle lenses are not required when shooting in a kitchen. Wide-angle lenses can distort the picture frame. Close-up objects appear large while distant ones appear small, making a standard lens more suitable for such purposes. Take a step back to capture the shot you want.

A high-quality universal lens is best for real estate photography. It is put on a 35mm digital camera equipped with a bubble level and photographed.

Using a tripod is one of the most critical elements of real estate photography equipment. Using a basic camera mount tripod and a remote shutter release will help to avoid blur. Even if you have incredibly stable hands like a surgeon, you should avoid taking risks and getting blurred photos. With a tripod for real estate photography, you will be able to get truly sharp images.

Check the quality and detail of your photos if you can connect your camera to a laptop via USB. This way, you can redo photos if any of them are damaged. Furthermore, examine each shot before you start shooting from the opposite perspective.

Props in one color would be great, and they should be simple. The material and textures in the frame should be focused on. Don’t forget about the architecture. By using props, you can create a cozy and welcoming atmosphere in the kitchen.

However, don’t overdo it. You don’t photograph the props; you photograph the kitchen. White tulips look better than a bouquet of mixed flowers. Concentrate on the details that make the space feel integrated, such as DIYs, coffee collections, tea cup storage, etc.

Your props should relate to several aspects of the composition. Viewers should notice the colors, shapes, and materials in various items throughout the kitchen photograph. Your props should move from one aspect to another.